Seymour observes how the musical addresses the problem of representing climate devastation and ultimately fails to problematize “sentimental heteroreproductive futurism. Nicole Seymour, “Review of The Great Immensity,” Resilience: A Journal of the Environmental Humanities, 2, no. ![]() Merola positions The Great Immensity as another example of The Civilians’ “nonreassuring theater” with an unsettling, open ending. Merola, “Review of The Great Immensity,” Resilience: A Journal of the Environmental Humanities, 2, no. Focused on the opening song in The Great Immensity, Mark engages with the critical possibilities of eco performance. 5, Superman / Sidekick - Kevin Mambo, Kyle Beltran, Adam Chanler-Berat, Britton Smith, Akron Watson, Juson Williams 6, White Boy - David Rossmer, Brian Tyree. Īndrew Mark, “‘This Is a Picture Of…,’” Resilience: A Journal of the Environmental Humanities, 2, no. Lioi argues that The Great Immensity enacts affective resilience as a constructive response to climate change, and compares the text with other musicals as well as Karen Malpede’s Extreme Whether and Bruno Latour’s Gaia: Global Climate Tragi-Comedy. Īnthony Lioi, “After the Beautiful Sorrow: Affective Resilience and The Great Immensity,” Resilience: A Journal of the Environmental Humanities, 2, no. Superboy: Kon-El: Superman: Adventures of Superman 500 (June 1993) 1993: Superboy II: Jonathan 'Jon. Stuff the Chinatown Kid: Jimmy Leong: Vigilante: Action Comics 45 (February 1942) 1942: Dies in World's Finest Comics 246 (AugustSeptember 1977). Chaudhuri thinks through the roles of children and collectivity in this climate change musical. Unique in that he is the adult sidekick of a teenage superhero. Una Chaudhuri, “The Sun’ll Be Hotter Tomorrow: Growing Up with Climate Chaos,” Resilience: A Journal of the Environmental Humanities, 2, no. An introduction to five reviews of The Great Immensity by literary, performance, and feminist ecocritics. ![]() Anthony Lioi, “Introduction to The Great Immensity,” Resilience: A Journal of the Environmental Humanities, 2, no.
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